Critical value and market value way out of whack? So what?

My column for the January-February issue of ArtReview. Read the whole issue for free here

The extreme mix of art and money that makes up a large part of the artworld has few defenders at the moment. After all, how can the values of art – which is supposed to be something good, exemplary or at least disruptive in a positive way – have got so entangled with the values of money, with the apparently evermore- venal culture of ostentatious luxury and financial chicanery that now seems to be the main driver of the international market for art? Continue reading “Critical value and market value way out of whack? So what?”