Mike Nelson’s claustrophobic installations broke new ground two decades ago, long before “immersive” exhibitions became urban leisure-time staples. This overdue survey of the British artist’s career revisits and remodels his key works, and is dominated by the extraordinary, Hayward Gallery-filling The Deliverance and the Patience (2001). It’s a monstrous, jerry-built labyrinth of dingy rooms, full…

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