I’ll be discussing the power of private collectors and the purpose of public collections at this year’s Battle of Ideas, October 19-20. Do something more interesting with Frieze weekend! Details and tickets here
http://www.battleofideas.org.uk/index.php/2013/session_detail/7869
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I’m one of the speakers on this panel discussion, next Wednesday at the ICA, 10 July, 6.30pm
Book tickets here
Cultural Exchange: More Harm than Good?
£10 / £8 Concessions / £7 ICA Members / £5 ICA Student Members
‘Cultural exchange’ is a much touted yet often rarely examined concept. In the context of the exhibition Points of Departure, this panel discussion explores its complex implications, centring on the key questions: how do artists work within culturally different and predetermined contexts? What is the role and impact of cultural marketing? Are artists and organisations simply fighting for position in an increasingly globalised world? Do nationalist distinctions perpetuate stereotype definitions and perceptions of other cultures?
Speakers include Mark Rappolt, writer and editor of Art Review, artist Rosalind Nashashibi, Andrea Rose, Director of Visual Arts, British Council, and critic JJ Charlesworth.
I’m one of the speakers on this panel discussion, next Saturday, 19 January, 5pm
Book tickets here
ICA Quickfire: The End of the Art World…? 19 January 2013
£5 / Free to ICA Members
Chaired by Gregor Muir (ICA Executive Director), this Quickfire talk addresses the profound sea change presently gripping the art world. Muir is accompanied by a panel including Georgina Adam (Art Correspondent,Financial Times/Editor at Large, The Art Newspaper), JJ Charlesworth (ArtReview, Associate Editor), Danielle Horn (Director, Nettie Horn Gallery) and James Mayor (Mayor Gallery).
This discussion will examine the perceived backlash against contemporary art with headlines of record breaking auction prices contradicting news of artist defections, disillusioned critics, over-production, the collapse of the middle market, and the growing difficulties faced by younger artists and their galleries. All the above have contributed to a climate of widespread suspicion, bolstered by splits between big name galleries and their star artists.
Is this the end of the art world as we know it, or are we simply moving into unchartered territories…?